Tuesday, March 26, 2013

Looking for a Simon & Schuster title? Barnes & Noble might not be your best bet

Barnes &Noble has reportedly been ordering fewer Simon & Schuster titles than it normally does as the book retailer and the publisher wrangle over cost issues.

By Molly Driscoll,?Staff Writer / March 25, 2013

Author Jodi Picoult's literary agent said sales of Picoult's book 'The Storytellers' had been negatively affected by the debate between Barnes & Noble and Picoult's publisher, with B&N choosing to order fewer copies than expected.

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Book retailer Barnes & Noble has reportedly reduced the amount of titles it stocks by Simon & Schuster authors and lowered the number of S&S books on display as it continues to be embroiled in a debate with the publisher.

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Neither the chain nor Simon & Schuster would specify exactly what is being negotiated, but sources cited as ?familiar with the disagreement? by The New York Times told the newspaper that Barnes & Noble wanted more funds for displaying S&S titles in coveted spots in the store and to pay lower costs for the books themselves. The bookstore chain also wants more money for events promoting Simon & Schuster titles, according to The Wall Street Journal.

Also on the table, according to the Journal, is the question of who will cover the costs of e-book discounting, a point now back in contention since Simon & Schuster and other publishers settled their price-fixing case with the Department of Justice.

A Wall Street Journal walk-through conducted in one of the book retailer?s locations found that while high-profile Simon & Schuster titles like ?The Soundtrack of My Life? by Clive Davis were available, works like a S&S paperback version of ?The Book of Lost Fragrances? by M.J. Rose were out of stock and a store search showed that ?Fragrances? was also unavailable at three other Manhattan Barnes & Noble stores.

?As a matter of policy, we do not comment on relationships with individual publishers,? Barnes & Noble spokesperson Mary Ellen Keating said in a statement. ?However, we do support publishers who support our digital and retail book businesses.?

Simon & Schuster chief executive Carolyn Reidy told the Times that a changing publishing industry means more questions for everyone.

?In this new world, it is just getting more complicated,? she said in a phone interview. ?There are more factors involved. They get more fraught. Terms have to work for both sides, and obviously we have not agreed yet.?

However, Reidy said she was hopeful that everything would be resolved.

?We expect ultimately there will be an agreement,? she said.

Simon Lipskar, president of literary agency Writers House, said the focus should be on writers who are losing out in the dispute.

?Without pointing fingers, authors are being hurt by this, and I think it is despicable,? he told the Times.

One of Simon & Schuster?s biggest releases, ?The Storyteller? by Jodi Picoult, was found in a Barnes & Noble store by the Journal, but Picoult?s literary agent, Laura Gross, said sales had been negatively affected by the fray.

?[Barnes & Noble has] taken limited orders, limited placement, and did not do the normal outreach to their customers online, which really hurt.... This must be hitting smaller authors hard,? Gross told the Times.

Writer Jamie Mason says that yes, it is. Her first novel, ?Three Graves Full,? was supported by Barnes & Noble before publication, Mason told the Journal, but she says that she found out before its February release that store promotion she had been planning on wouldn't be happening. ?It's frustrating," she said. "I'm a debut novelist. I don't have name recognition.?

Authors, including Picoult, have done their best to get word of the dispute out on the Internet. Picoult posted on her Facebook page, ?There has been an ongoing dispute between B&N and Simon and Schuster that has really hurt some great authors. In some cases B&N hasn't even stocked their new books. Who loses out? Readers. Here is a list of some of the books you may have missed that were casualties in this dispute. Please consider supporting some of these writers!??

Other Simon & Schuster authors posted a note which alerted readers to what was going on but they were careful not to blame either party.

?Have you seen these books?? the note reads, with cover images of Simon & Schuster titles. ?If you've been browsing for books in B&N chances are you haven't seen these acclaimed books. Why? They're missing due to an ongoing negotiation between the publisher and the book store chain.?Not pointing fingers here.... we all love our publisher and we love all bookstores including B&N!.... here are links where you can discover more about each of these books and buy them from any store of your choice (including BN.com).?

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/xNqpeHTvsm8/Looking-for-a-Simon-Schuster-title-Barnes-Noble-might-not-be-your-best-bet

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Saturday, March 2, 2013

Editorial In ACM On Open Access Publishing In Computer Science

Well done! Since you are already doing this, have you thought about signing the Cost of Knowledge [thecostofknowledge.com] petition if you haven't already done? In theory, this will prevent at least Elsevier editors from asking you to review in the first place and hopefully help establish more momentum for change.

In my experience with declining requests to review, I have commonly mentioned access and/or price as concerns for declining and have found some sympathy with various editors. If this becomes more commonplace, hopefully

Source: http://rss.slashdot.org/~r/Slashdot/slashdotScience/~3/8bznkRQfkTg/story01.htm

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Thursday, February 28, 2013

Did We Doom the Mammoths?

An artist's rendering of an Ice Age mammoth skeleton on display at the Page Museum at the La Brea Tar Pits in Los Angeles An artist's rendering of an Ice Age mammoth skeleton on display at the Page Museum at the La Brea Tar Pits in Los Angeles

Courtesy of the Page Museum/La Brea Tar Pits/Reuters

Climate change killed the last mammoths. Hunkered down on their final holdout, Siberia?s Wrangel Island, the shaggy herbivores died out as rising seas shrank their refuge and warm weather baked their cool grasslands. By 3,700 years ago, within the span of written human history, mammoths disappeared.

But the real reason there are no more mammoths?and cloning projects aside, the reason we?ll never get to hug an adorable baby mammoth at a petting zoo?is a hotly contested topic. Mammoths wound up hopelessly marooned on a Siberian island in the first place because they were wiped across the rest of their range?an impressively disheartening fact when you realize that the behemoths once trod the widespread ?mammoth steppe? grasslands from western Spain through northern Asia to the interior of North America. Explanations for their disappearance have historically involved climate change, ?hyperdisease,? comet impact, and hungry humans. Figuring out what happened to mammoths and other lost species is not just an exercise for academic keepers of the dead. If we can understand the mechanics of extinction and how life responds to fluxes like climate change, we might be able to use the dead to look to the future.

Just as non-avian dinosaurs were only part of a major mass extinction 66 million years ago, mammoths are but one icon of a deeper loss of biodiversity. The Pleistocene extinction saw the death of much of the world?s most spectacular megafauna (creatures that weighed more than 44 kilograms, or 97 pounds) from Australia, Asia, Europe, and the Americas. Mammoths, giant ground sloths, sabercats, and terror birds were among the losses. Some species that survived the die-off were swept from parts of their ranges; there are no more spotted hyenas in Europe, for example.

This global disaster did not occur all at once. There is a pattern in the geological record of extinction, one that seems to follow the path of wandering humans.

Mass extinctions are murder mysteries. In the case of the Pleistocene extinction, two culprits are likely intertwined: humans and climate change. Other suspects don?t hold up. The kind of indiscriminate hyperdisease that would kill smilodons (in the cat family), dire wolves (dog family), woolly mammoths (elephant family), and all the other lost forms wildlife is totally unknown. The proposal that North America?s extinction pulse was caused by a falling comet lacks solid support. ?

From Australia to North America, large mammals and assorted other creatures often disappeared shortly after the arrival of humans on their continent, whether it was 50,000 years ago or 10,000 years ago. We know that humans hunted at least some of the lost mammals. Butchered bones found at archaeological sites include the remains of mammoths and mastodons. At the same time, the world was going through its last oscillation from an Ice Age world to the one we know today. The cool, dry global climate gave way to a warmer, wetter one. Pleistocene creatures had to move with their favored environments, adapt to their new surroundings, or go extinct. What paleontologists continue to tussle over is how important humans and climate change were to the Pleistocene crisis.

From the perspective of Deep Time, the Pleistocene extinctions happened extremely rapidly. If we were able to travel 66 million years into the future and look back at the Pleistocene fossil record, the event might appear to be instantaneous. Since we?re so close to the massive bleed of species, though, we can pick through the evidence with more resolution.

Source: http://feeds.slate.com/click.phdo?i=cf941af7a2736f03e512709e557f6195

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Saturday, February 23, 2013

Oil Painting

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Choosing an oil painting reproduction for your home can add just the right touch to a room. You may want to explore your love of art through a favorite artist, or review catalogs to see the variety of options available. There are many types of reproductions to express your own style.
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Friday, February 22, 2013

Fuji Japan publishes eight X100S full-size samples and seven X20 full-size samples

Put on your pixel peeping glasses. Turn on the good monitor. Fire up the printer. Pixel-peeping time! Fuji Japan has published real-world JPEG samples from its two most recent compacts with RAW. Here come eight Fuji X100S samples and seven Fuji X20 samples. Enjoy! (via Foto Act. #1 and Foto Act. #2).

Speaking of Fuji and things X*, the Photography Blog published JPEG samples taken with the 14mm f2.8 XF prime lens. Most are real-world but also included are their standard bookcase ISO-range test scene.

Speaking of the 14mm f2.8 XF, it is currently in-stock at its starting price of $900 at B&H Photo and Adorama.

Both the Fuji X100S and X20 are currently in a state of pre-order for $1300 and $600 respectively. You can track them at the Stock Status page or using the Javascript-embedded self-updating widgets right below...

Source: http://www.1001noisycameras.com/2013/02/fuji-japan-publishes-eight-x100s-full-size-samples-and-seven-x20-full-size-samples.html

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Lisa Bloom Joins 'Today' as Legal Analyst - TVNewser

Are you or someone you know new to social media? Get up and running on Facebook, LinkedIn, and Twitter in our Social Media 101 online event and workshop for beginners starting Tuesday, February 26. Over 5 weeks, you?ll learn tips and tricks to build your profiles, engage your audience, and grow your business or personal brand.?Register today.

Source: http://www.mediabistro.com/tvnewser/lisa-bloom-joins-today-as-legal-analyst_b167989

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Oscars 2013: Behind The Scenes Of Hollywood's Biggest Night

The biggest night in Hollywood is nearly upon us, and it seems like the entire town is busy preparing to make sure everything goes off without a hitch. Six hundred celebrities and filmmakers can't just feed themselves, you know! The Oscars are a massive production involving everything from construction to sculpting and fine dining, so [...]

Source: http://moviesblog.mtv.com/2013/02/22/oscars-behind-the-scenes/

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